I conclude that Carter is a moral pornographer. Through the practice of Barthes and Kristeva’s theories she produces pornographic fairy tales that critique and liberate both male and females from their constraints. When the tales are analysed collectively it becomes clear that figurative language puts a range of symbolic narratives into focus and dismantles them. Overall, The Bloody Chamber ..
is worked out in a perpetual interweaving;
lost in this tissue-this texture-the subject unmakes
himself, like a spider dissolving in the constructive secretions
of its web" (Barthes,1975,P:64)
“it granulates, it crackles, it caresses, it grates, it cuts, it comes: that is bliss” (Barthes,197,p:67)